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	<author>
		<name>raster-media</name>
	</author>
	<title>projects</title>
	<id>http://old.raster-media.net/projects/?sRss=1</id>
	<updated>2026-05-02T19:29:56+02:00</updated>

	<entry> 
		<title type="text">raster. schwellen</title>
		<id>http://old.raster-media.net/projects/raster.-schwellen?c=7</id>
		<link href="https://old.raster-media.net/projects/raster.-schwellen?c=7"/>
		<summary type="html">
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							starting from the thresholds of human perception, raster. schwellen examines relations between individual phenomena. a grid of 16 light lines - which number refers to the hearing threshold of human hearing, in which sound waves in space transition from a temporal to an auditor...
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			starting from the thresholds of human perception, raster. schwellen examines relations between individual phenomena. a grid of 16 light lines - which number refers to the hearing threshold of human hearing, in which sound waves in space transition from a temporal to an auditory perceptible level - is manipulated by a multi-channel composition in its light intensity. the sound moves simultaneously on a vertical and horizontal axis; it is represented by the light in its dynamic distribution in space as well as in its energy content. the combination of temporal, auditory and visual structure creates an immersive experience for the visitor and interacts with the architecture of the space. 
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	<entry> 
		<title type="text">raster. electric campfire 2019</title>
		<id>http://old.raster-media.net/projects/raster.-electric-campfire-2019?c=7</id>
		<link href="https://old.raster-media.net/projects/raster.-electric-campfire-2019?c=7"/>
		<summary type="html">
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							after 10 years at rome&#039;s villa massimo and a guest appearance in peterhof (RU) last year, the electric campfire at hellerau marked the beginning of a new phase of this very special electronic sound night.
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			after 10 years at rome&#039;s villa massimo and a guest appearance in peterhof (RU) last year, the electric campfire at hellerau marked the beginning of a new phase of this very special electronic sound night.
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	<entry> 
		<title type="text">raster. labor at CTM festival 2019</title>
		<id>http://old.raster-media.net/projects/raster.-labor-at-ctm-festival-2019?c=7</id>
		<link href="https://old.raster-media.net/projects/raster.-labor-at-ctm-festival-2019?c=7"/>
		<summary type="html">
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							with the premiere of »labor«, CTM and seminal electronic imprint raster celebrated a collaboration almost as old as the festival itself. byetone + mieko suzuki, dasha rush, frank bretschneider, grischa lichtenberger, and robert lippok took part in the inaugural edition of the ...
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			with the premiere of »labor«, CTM and seminal electronic imprint raster celebrated a collaboration almost as old as the festival itself. byetone + mieko suzuki, dasha rush, frank bretschneider, grischa lichtenberger, and robert lippok took part in the inaugural edition of the piece, utilizing sparse hardware setups to craft perpetual, regenerating compositions.
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	<entry> 
		<title type="text">raster. signale am bauhaus</title>
		<id>http://old.raster-media.net/projects/raster.-signale-am-bauhaus?c=7</id>
		<link href="https://old.raster-media.net/projects/raster.-signale-am-bauhaus?c=7"/>
		<summary type="html">
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							»raster. signale am bauhaus« is a temporary event series of audio visual showcases celebrating the bauhaus centenary in 2019. organized in close collaboration with next100, the first »signale« kicks off on the 07th of december 2018 with performances by byetone, frank bretschne...
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			»raster. signale am bauhaus« is a temporary event series of audio visual showcases celebrating the bauhaus centenary in 2019. organized in close collaboration with next100, the first »signale« kicks off on the 07th of december 2018 with performances by byetone, frank bretschneider and mieko suzuki at weimar&#039;s e-werk.
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	<entry> 
		<title type="text">sichten 1</title>
		<id>http://old.raster-media.net/projects/sichten-1?c=7</id>
		<link href="https://old.raster-media.net/projects/sichten-1?c=7"/>
		<summary type="html">
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							»sichten« refers both to »opinions« as well as the »examination of material«. in lose sequence, we will invite friends and colleagues, but especially music lovers to share their opinions on music with us or to look through their collected materials in order to present music th...
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		</summary>
		<content type="html">
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			»sichten« refers both to »opinions« as well as the »examination of material«. in lose sequence, we will invite friends and colleagues, but especially music lovers to share their opinions on music with us or to look through their collected materials in order to present music that tends to be out of the focus of current media channels.
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	<entry> 
		<title type="text">white circle at lenbachhaus</title>
		<id>http://old.raster-media.net/projects/white-circle-at-lenbachhaus?c=7</id>
		<link href="https://old.raster-media.net/projects/white-circle-at-lenbachhaus?c=7"/>
		<summary type="html">
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							the light and sound installation »white circle« was created in 2016 to celebrate twenty years of raster-noton. the installation was on view in the lenbachhaus’ kunstbau exhibition space from may 10 until july 8, 2018.
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			the light and sound installation »white circle« was created in 2016 to celebrate twenty years of raster-noton. the installation was on view in the lenbachhaus’ kunstbau exhibition space from may 10 until july 8, 2018.
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	<entry> 
		<title type="text">raster. index 2</title>
		<id>http://old.raster-media.net/projects/raster.-index-2?c=7</id>
		<link href="https://old.raster-media.net/projects/raster.-index-2?c=7"/>
		<summary type="html">
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							on april 30, 2018, high-profile german electronic record label and artistic platform raster presented a further »raster. index« showcase night, this time at funkhaus berlin.
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			on april 30, 2018, high-profile german electronic record label and artistic platform raster presented a further »raster. index« showcase night, this time at funkhaus berlin.
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	<entry> 
		<title type="text">source book 1</title>
		<id>http://old.raster-media.net/projects/source-book-1?c=7</id>
		<link href="https://old.raster-media.net/projects/source-book-1?c=7"/>
		<summary type="html">
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							the publication »source book 1« represents the beginning of a comprehensive and authorized review of the past 20 years of the label raster-noton. a short introductory preface by olaf bender is followed by a keynote interview conducted by berlin publicist max dax that provides ...
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		</summary>
		<content type="html">
		<![CDATA[
			the publication »source book 1« represents the beginning of a comprehensive and authorized review of the past 20 years of the label raster-noton. a short introductory preface by olaf bender is followed by a keynote interview conducted by berlin publicist max dax that provides an insight into the identity and philosophy of the label heads.
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	<entry> 
		<title type="text">r-n white circle</title>
		<id>http://old.raster-media.net/projects/r-n-white-circle?c=7</id>
		<link href="https://old.raster-media.net/projects/r-n-white-circle?c=7"/>
		<summary type="html">
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							in celebration of its 20th anniversary in 2016, german record label raster-noton presents the »white circle«, an acoustic-architectural space designed as an audiovisual installation. four artists of the label were invited to develop and contribute an exclusive composition on t...
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		</summary>
		<content type="html">
		<![CDATA[
			in celebration of its 20th anniversary in 2016, german record label raster-noton presents the »white circle«, an acoustic-architectural space designed as an audiovisual installation. four artists of the label were invited to develop and contribute an exclusive composition on this occasion: alva noto, byetone, frank bretschneider, and kangding ray.
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	<entry> 
		<title type="text">raster-noton. codices</title>
		<id>http://old.raster-media.net/projects/raster-noton.-codices?c=7</id>
		<link href="https://old.raster-media.net/projects/raster-noton.-codices?c=7"/>
		<summary type="html">
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							»raster-noton. codices« is a limited series of five sd cards exclusively designed and produced for the temporary rick owens store at selfridges, london.
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		</summary>
		<content type="html">
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			»raster-noton. codices« is a limited series of five sd cards exclusively designed and produced for the temporary rick owens store at selfridges, london.
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	<entry> 
		<title type="text">cinechamber at ctm 2011</title>
		<id>http://old.raster-media.net/projects/cinechamber-at-ctm-2011?c=7</id>
		<link href="https://old.raster-media.net/projects/cinechamber-at-ctm-2011?c=7"/>
		<summary type="html">
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							signal. live @ club transmediale cinechamber. hau 2. berlin. germany. recombinant madia lab&#039;s european cinechamber is a sizable and intimate, immersive, self-contained space conceived as a mobile environment and incubator for inter- and pluramedia works that range from wrap-ar...
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			signal. live @ club transmediale cinechamber. hau 2. berlin. germany. recombinant madia lab&#039;s european cinechamber is a sizable and intimate, immersive, self-contained space conceived as a mobile environment and incubator for inter- and pluramedia works that range from wrap-around synaesthetics to telegenic performance settings, from real-time installation interactions with live music to programmed exhibition screenings. the 8 x 12 metre chamber is walled by 10 large-scale screens, features 8.8.2 multi-channel sound and a custom-applied kinetic floor vibration units. this full audio-visual cinechamber can be &quot;played&quot; or manipulated as an av instrument and urges artists the opportunity to take their creative impulse to further ranges of aural, optical and cinematic expression. numerous renowned artists have crossed paths with california editions of the cinechamber &amp; its companion underground sf location at the compound including pansonic, ryoji ikeda, matmos, maryanne amacher, thomas brinkmann, pole, kode 9, chris watson, and many more in the last decades. cinechamber live at ctm featured new compositions and live performances by signal (de), monolake (de/nl), deadbeat &amp; lillevan (ca/de), edwin van der heide (nl), that have been commissioned for the occasion by a coalition of partners within the framework of the ecas-network&#039;s current project &quot;festival as a lab&quot; – namely: ctm, todaysart festival, orf-musikprotokoll, cimatics and cynetart. for the opening and closing of the cinechamber at ctm, the surround audio berlin premiere of plaything, designed, composed and mixed from the hand of late &amp; great maryanne amacher (US) was played, preceded by some words from rml&#039;s directors naut humon and edwin van der heide. photo credits: marco microbi
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	<entry> 
		<title type="text">raster-noton. unun at ctm 2010</title>
		<id>http://old.raster-media.net/projects/raster-noton.-unun-at-ctm-2010?c=7</id>
		<link href="https://old.raster-media.net/projects/raster-noton.-unun-at-ctm-2010?c=7"/>
		<summary type="html">
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							raster-noton.unun @ ctm 2010, wmf club, berlin, germany. wmf floor 2 - in collaboration with raster-noton and transmediale atom™ (DE) AOKI takamasa (JP) senking (DE) grischa lichtenberger (DE) raster-noton. unun in 2009, raster-noton embarked on a voyage into the outer reaches...
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			raster-noton.unun @ ctm 2010, wmf club, berlin, germany. wmf floor 2 - in collaboration with raster-noton and transmediale atom™ (DE) AOKI takamasa (JP) senking (DE) grischa lichtenberger (DE) raster-noton. unun in 2009, raster-noton embarked on a voyage into the outer reaches of the periodic table. nine vinyl-only ep&#039;s will appear in the unun series, each of which takes it&#039;s name from the vanishingly unstable elements which are conjured into being by cutting-edge laboratories around the world. these are certainly cutting-edge productions, made by artists new to the label. grischa lichtenberger - polishs up a sound palette which comes from mundane domestic field recordings: the sound of a sliding tabletop, the drone of a broken electric motor. with them, he creates crisp, angular constructions which ring like tinnitus in the upper registers and twitch like parkinson´s in the bass. AOKI takamasa - strands tiny vocal fragments in undulating currents of liquid, elliptical funk. atom™ - silver turned to gold, maximal replaced minimal, 4/4 became 5/4 while 3/4 remained 3/4, house became home, attack: decay became sustain without release, void turned horizon, tech? no! senking - varies and experiments with a frightening diversity of sounds. he reveals the pieces as sound-collages, as quotes, which seem to refer to splatter movie and film noir. following the tremendous plot of his endtime-sujet, he persistently welds together sound spaces in order to compress them later into overwhelming drone-sounds. ctm.10 - overlap - sound &amp; other media with the theme overlap – sound &amp; other media, the festival continues the discussions begun during the highly praised jubilee edition in january 2009 regarding the situations, terms and future prospects of self-determined music creation and experimental audiovisual cultures. while the focus in 2009 was on the internal structures of independent music and media cultures, overlap will broaden the scope to interfaces between music and other creative and economic fields. ctm.10 takes a critical look at the opportunities and risks of developments where media and creative disciplines meld increasingly together, and where previously fixed roles are now in flux. the discussion on how mutations in music culture should be framed continues.
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	<entry> 
		<title type="text">r-n + m_nus. container</title>
		<id>http://old.raster-media.net/projects/r-n-m_nus.-container?c=7</id>
		<link href="https://old.raster-media.net/projects/r-n-m_nus.-container?c=7"/>
		<summary type="html">
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							container m_nus / raster-noton the collaboration of the labels m_nus and raster-noton dates back to the year 1999, when richie hawtin was invited by carsten nicolai to take part in the &quot;new forms&quot; cd/performance project that was staged at galerie für zeitgenössische kunst in l...
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			container m_nus / raster-noton the collaboration of the labels m_nus and raster-noton dates back to the year 1999, when richie hawtin was invited by carsten nicolai to take part in the &quot;new forms&quot; cd/performance project that was staged at galerie für zeitgenössische kunst in leipzig, germany. since then both labels have shown their interest to finally launch a collaborative project. in the last ten years both m_nus and raster-noton have set high standards of sound and visual presentation. their strong affinity to minimalist design and a compelling musical output of their catalogue has since been parallel in the labels&#039; philosophy. especially the &quot;concept&quot; series of m_nus and the »20&#039; to 2000« series of raster-noton have been landmarks of minimal electronic music and defined the start into the new century. a collaboration hence seems to be overdue and consistent. container is an event series seen as intersection of conceptual ideas of the labels. the two evenings will cut the usual club night performative scheme of solo performers by introducing an experimental platform of performative interaction that promotes the labels&#039; overlapping conceptual structures to form a unique laboratory of sound. the open character of the project might give the chance to further develop it in the future...
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	<entry> 
		<title type="text">mika vainio exhibition 2 x 540 khz</title>
		<id>http://old.raster-media.net/projects/mika-vainio-exhibition-2-x-540-khz?c=7</id>
		<link href="https://old.raster-media.net/projects/mika-vainio-exhibition-2-x-540-khz?c=7"/>
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							&quot;2 x 540 khz&quot; sound installation by mika vainio created in residency at mediaruimte. 6 tube radios, 2 radio transmitters, 2 audio compositions. »time examined« publication by raster-noton on mika vainio&#039;s work. texts by carl michael von hausswolff, daniela cascella. including ...
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			&quot;2 x 540 khz&quot; sound installation by mika vainio created in residency at mediaruimte. 6 tube radios, 2 radio transmitters, 2 audio compositions. »time examined« publication by raster-noton on mika vainio&#039;s work. texts by carl michael von hausswolff, daniela cascella. including 2 audio cds. a co-production of raster-noton and mediaruimte, lab(au)&#039;s gallery for electronic art. mika vainio (*1963, helsinki (finland), lives in berlin) mika vainio is best known as being half of the widely acclaimed electronic music formation &quot;pan sonic&quot;. but even though he has exhibited in some of europe’s most important art venues and collaborated with the elite of the contemporary art scene, the rest of his oeuvre is less known. the publication »time examined« by raster-noton, the german label for minimal electronic music, aims to change this with a chronological overview of vainio’s wanderings throughout music, installation, performance and video. &quot;mika vainio’s work is not so much about structure or formal reductionism per se, as many of his fellow artists and musicians have been doing over the same span of years: rather, it has to do with the aura of structure, with the halo around rhythm, and the effects of sound as it erodes the space — physical and mental — around it, melts within it, hits and scratches it or softly enwraps it.&quot; daniela cascella the book plus two audio cds is the first in a series of publications dedicated to the audio-visual work of artists associated with raster-noton. for the accompanying exhibition, raster-noton and lab[au], the belgian electronic arts trio, joined forces to retrospect mika vainio’s oeuvre; an attempt to make tangible 12 years of artistic creation. specially for this occasion, mika vainio exhibited a new sound installation, &quot;2 x 540 khz&quot;, created in residency at mediaruimte, lab[au]’s gallery for electronic arts in downtown brussels. two looping compositions are sent through radio transmitters and played by several vintage tube radios distributed in the gallery. the soundscape is constituted by a temporal shift and spatial distribution of both compositions. the exhibition and book launch kicked off with a &quot;2 x 540 kHz&quot; live performance by mika vainio, a combination which traveled afterwards to galleries and happenings across the world.
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	<entry> 
		<title type="text">r-n at mutek montreal 2009</title>
		<id>http://old.raster-media.net/projects/r-n-at-mutek-montreal-2009?c=7</id>
		<link href="https://old.raster-media.net/projects/r-n-at-mutek-montreal-2009?c=7"/>
		<summary type="html">
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							raster-noton @ mutek montreal 09, feat. alva noto, byetone and atom tm SAT, montreal, quebec a very special raster-noton showcase, featuring the label’s most durable attractions in their most bristling and conceptual post-industrial guises: ryoji ikeda + carsteb nicolai – cycl...
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			raster-noton @ mutek montreal 09, feat. alva noto, byetone and atom tm SAT, montreal, quebec a very special raster-noton showcase, featuring the label’s most durable attractions in their most bristling and conceptual post-industrial guises: ryoji ikeda + carsteb nicolai – cyclo., alva noto, atom™, and byetone. the evening began with the north american premiere of ryoji ikeda and carsten nicolai&#039;s reunion as cyclo., the pairing that wowed audiences last in the early 2000’s and has been mostly silent since then. uwe schmidt, the german expatriate currently living in chile, reprised his role as atom™. next, carsten nicolai returned to the stage solo to present his much-heralded alva noto compositions. finally, olaf bender brought the mighty byetone to life with the rock-driven teutonic beats that have made his recent records so collectible. photo credits: landon speers; basic sounds
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	<entry> 
		<title type="text">raster-noton. shop at e-flux, new york</title>
		<id>http://old.raster-media.net/projects/raster-noton.-shop-at-e-flux-new-york?c=7</id>
		<link href="https://old.raster-media.net/projects/raster-noton.-shop-at-e-flux-new-york?c=7"/>
		<summary type="html">
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							e-flux was pleased to present raster-noton. shop @ e-flux, 41 essex street, new york. opening: tuesday, may 26th with a special performance by carsten nicolai (alva noto) and olaf bender (byetone) raster-noton&#039;s investigations into sound frequencies and sequences are principal...
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			e-flux was pleased to present raster-noton. shop @ e-flux, 41 essex street, new york. opening: tuesday, may 26th with a special performance by carsten nicolai (alva noto) and olaf bender (byetone) raster-noton&#039;s investigations into sound frequencies and sequences are principally developed in the field of music, but often cross over into the visual arts. using digital signal processing as their primary medium (often in combination with moving images and graphics) the label&#039;s many releases and live performances explore minimal, modular, and concrete approaches to the structure of sound and its possibilities for being activated and manipulated as a material form. &quot;while their late 20th century forebears applied the aesthetics of processes and mechanisms from manufacturing and industry to their craft, so many of the raster-noton label&#039;s publications emulate the unseen operations and transactions of our era – the flow of information.&quot;(http://www.boomkat.com/article.cfm?id=23) for the shop, the archives of the chemnitz-based raster-noton label were presented at e-flux in the form of a record shop, albeit one without a commercial component. comprised of publications (featuring raster-noton&#039;s distinct approach to graphic design), music cds (to be displayed as physical objects), and sound (for listening on mp3 players), the raster-noton archive offered a panoramic view of the label&#039;s output of nearly 100 releases, or 90 hours of audio material. bender and nicolai&#039;s installation &quot;white line light&quot; provided lighting for the shop via a handmade, neon gas-filled tube that reacted to raster-noton compositions. the shop was the second in a new series of exhibitions at e-flux project space at 41 essex street, lower level. the shop remained at e-flux through the end of july, 2009.
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